有希望的男人
佳缘科技将被ST！招股书、年报虚假记载_我的网站
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Deutsche Grammophon signed Ju earlier this year. The label has previously worked with well-known Chinese pianists including Li Yundi, Lang Lang and Yuja Wang. Ju's arrival raises a different question: What will younger musicians, trained both in China and the West, bring to classical music?
The album features works by Leoš Janácek, Maurice Ravel and Alexander Scriabin. The physical edition also includes three of Ju's own poems.
The title Mist Without draws on the German idea of Weltschmerz, a feeling of world-weariness, and the Chinese tradition of misty, suggestive poetry. Ju uses wu, the Chinese character for mist, to create a quieter and more reflective mood. The centerpiece of the album is Janácek's piano suite In the Mists.
"Poetry and piano are equal parts of my experiences," Ju said in a recent interview with the Global Times. "When I work on a single note or a phrase at the keyboard, it feels exactly like shaping a sentence - counting the syllables, weighing the rhythm, choosing the words."
For Ju, playing the piano is less a profession than a form of daily discipline. "It is stricter than many formal religions," he said.
Now in his mid-20s, Ju previously studied at the Juilliard School in New York before continuing his training in Germany. His approach, rooted in China yet open to the world, reflects a generation of Chinese musicians increasingly comfortable moving between cultures. For Ju, that movement between cultures is not necessarily something that needs to be explained.
"Culture can be learned," Ju said. He hears a deep kinship between turn-of-the-century France and ancient China: "To me, so much of [Claude] Debussy's late work feels like Tang Dynasty (618-907) poetry."
Western critics have already taken notice of Ju's distinctive style. In a 2024 review of his Carnegie Hall recital, New York Concert Review wrote that he "shines in the magic of the understated, pulling us into his psychological stillness." British critic Jed Distler, writing in Gramophone, praised his sensitive understanding of Janácek's music.
Having grown up navigating multiple languages and later pursuing training abroad, Ju sees cultural boundaries less as barriers than as things to move through.
"Unlike before, we can now present Eastern ideas not as a deliberate statement, but as something entirely natural and self-assured," he said.
Ju does not present Mist Without as a grand statement. "It is simply the first step in creating recordings that carry personal thought rather than polished display," he said.
Asked what AI might bring to classical music, Ju was unequivocal.
"If what you care about is the relationship between music and people, AI cannot provide that," he said. "AI represents the perfection of human intelligence. Art shows human nature - its desires, its light and its darkness. Music is about human imperfection."
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根据告知书披露，佳缘科技披露的《招股说明书》中2019年、2020年财务数据及2021年和2022年年度报告内容均存在虚假记载。 违法事实主要涉及两项：其一，2019年至2022年期间，公司与某客户签署多份科研合同或电子产品采购合同，在不符合收入确认条件的情况下提前确认收入；其二，2020年公司介入无锡金都机械装备有限公司与昆明博远中菱科技有限公司之间正在履行的购销业务链条，相关交易不具备商业实质。 两项违法行为叠加，导致佳缘科技2019年至2022年营业收入分别虚增2015.6万元、虚减687.65万元、虚增2803.38万元、虚减2562.47万元，占当期披露营业收入绝对值的15.39%、3.61%、8.85%、9.51%；利润总额分别虚增1613.84万元、虚减1569.60万元、虚增1803.93万元、虚减1634.45万元，占当期披露利润总额绝对值的比例分别为44.02%、25.8%、16.95%、24.43%。 针对上述违法事项，证监会对佳缘科技及主要责任人做出处罚决定，合计罚款1450万元。其中，对上市公司责令改正，给予警告，并处以600万元罚款；对实际控制人之一、董事长王进给予警告并处以300万元罚款；对董事、副总经理朱伟华和财务总监柳絮分别给予警告并处以200万元罚款；对另一实际控制人、原董事会秘书尹明君给予警告并处以150万元罚款。
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Published on:16:22:58